Impartido por el renombrado pianista
Johnandrew Slominski
¿Qué significa dominar una lengua? Tanto en la música como en el habla, significa conocer un conjunto de fórmulas subyacentes para diversas situaciones, y luego adornarlas según sea necesario. He aquí una fórmula sencilla con principio, nudo y desenlace: "¡Hola! ¿Cómo estás? Adiós". Decir "¡Hola! ¿Qué tal? Hasta luego!" no es más que una variación de la misma fórmula básica. Lo mismo ocurre con la música, y es tan útil para aprender piezas como para improvisar frases nuevas sobre la marcha. Conocer el esqueleto armónico te ayudará a aprender música más rápido y a saber exactamente dónde embellecer. Acompaña a Johnandrew Slominski en un curso paso a paso sobre cómo aprender estas fórmulas armónicas esenciales.
Prelude, Chorale and Fugue – Unifying Motives
Studying a piece of music is quicker and easier when you think like a composer. Join Johnandrew Slominski for a look at how composers decorate underlying harmonic formulas that, once you learn them, make the music far easier to understand, play, and ornament. From C.P.E. Bach's varied repetitions, to Mozart's continuo parts, to Beethoven's exquisite sonata Op. 109, these harmonic formulas are your chance to become fluent in the language of music.
Music Analysis as Composition in Reverse
Conversations have stock components, with beginnings, middles, and ends, and the same is true of standard harmonic formulas. This video addresses harmonic formulas for endings; that is, cadences. Slominski describes how four types of cadences are constructed, each strictly defined by their scale degrees in outer voices, figured bass, and metric placement: complete, deceptive, converging, and Cudworth cadences. Slominski lays out a simple, step-by-step process for becoming fluent with any formula: play or sing-and-play the outer voices, add inner voices, use compound melody, and stylization.
Harmonic Formulas: Cadences
Conversations have stock components, with beginnings, middles, and ends, and the same is true of standard harmonic formulas. This video addresses harmonic formulas for beginnings. Slominski describes how four types of openings are constructed, each strictly defined by their scale degrees in outer voices, figured bass, and metric placement: the Romanesca, Meyer, sol–fa–mi, and do–re–mi formulas. Slominski lays out a simple, step-by-step process for becoming fluent with any formula: play or sing-and-play the outer voices, add inner voices, use compound melody, and stylization.
Harmonic Formulas: Openings
Conversations have stock components, with beginnings, middles, and ends, and the same is true of standard harmonic formulas. This video addresses harmonic formulas for the middle of phrases. Slominski describes how three types of connecting phrases are constructed, each strictly defined by their scale degrees in outer voices, figured bass, and metric placement: the Comma, Passo Indietro, and Prinner formulas. Slominski lays out a simple, step-by-step process for becoming fluent with any formula: play or sing-and-play the outer voices, add inner voices, use compound melody, and stylization.
Harmonic Formulas: Connecting Phrases
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Unlock Course →El pianista estadounidense Johnandrew Slominski disfruta de una dinámica y próspera carrera como intérprete, pedagogo y teórico.
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