Browse online flute courses, available exclusively on tonebase Flute.

Taught by 

Sharon Sparrow

Sharon Sparrow has helped hundreds of musicians feel confident and perform their best in auditions and performances. She guides us through her entire process for audition and performance preparation including Practice, Mental Training, and Event Training & Mock Auditions.

Taught by 

Ransom Wilson

In this course we explore the captivating melodies of Faure's Fantaisie for Flute and Piano with virtuoso flutist Ransom Wilson. We gain unique interpretive insights honed through Wilson's extensive training in France under the tutelage of Jean-Pierre Rampal.

Taught by 

Ransom Wilson

Enesco’s Cantabile et Presto is a staple of the flute repertoire. Ransom Wilson takes us through all the sections of this piece having studied with Jean Pierre Rampal and the French style. He explores musical interpretations and technical solutions that will help us perform this beautiful work.

Taught by 

Philipp Jundt

This course features Philipp Jundt’s exercises and perspectives on sound and articulation in the classical style.

Taught by 

Philipp Jundt

Guided by renowned flutist Philipp Jundt, this course covers on Mozart’s Concerto for Flute in D Major. Jundt provides insights into analysis and performance practice, discussing phrasing and inflection to help develop an informed interpretation.

Taught by 

Marina Piccinini

In her course on Prokofiev's Sonata for Flute and Piano, Marina Piccinini discusses the work's important historical context, how to use the music's theoretical underpinnings and structure to play it beautifully, and why sometimes, "wasting time" can be beneficial to unlocking our creativity.

Taught by 

Marianne Gedigian

In this course, Marianne Gedigian guides us through Mendelssohn’s Scherzo from A Midsummer Night’s Dream starting from the essential fundamentals needed to play this excerpt. She gives us tools for articulation, finger connection, and style.

Taught by 

Lorna McGhee

In this course, Lorna McGhee takes us through a process of body organization setting up our posture and physicality to produce our most resonant and free tone. She uses concepts from Alexander Technique and Body Mapping to bring together a process she’s been practicing for years.

Taught by 

Lorna McGhee

In this course, Lorna McGhee guides us through a course on phrasing so we can make the most of the expressive markings in our music. She uses examples from the Marcel Moyse’s 24 Melodic Studies to help us learn these principles.

Taught by 

Linda Chesis

In this course, renowned flutist Linda Chesis guides us through Cecile Chaminade’s Concertino a cornerstone of the flute repertoire. She walks us through all of the tricky passages and offers strategies to improve technique, musicality, and phrasing.

Taught by 

Leone Buyse

Join renowned flutist Leone Buyse for an exploration of Mozart's style and form. In this course, Leone Buyse delves into the nuances of classical style, offering guidance on proper ornamentation and phrasing. Learn how to elevate your playing to embody elegance and clarity in your performance.

Taught by 

Leone Buyse

In this course, Leone Buyse walks us through the importance of intonation, how to improve intonation, and what to look out for. She offers ways to practice your intonation so you can walk into any performance with confidence.

Taught by 

Julien Beaudiment

Julien Beaudiment walks us through Reinecke’s beloved Sonata “Undine.” This course offers musical ideas and practical exercises to help bring this inspiring work to life.

Taught by 

Jennifer Grim

In this lesson, Jennifer Grim provides a comprehensive overview of articulations, tongue strokes, and expressive markings. How are they notated and how do you actually execute them? Covering everything from flutter to triple tonguing, Grim walks us through the mechanics of articulations and shares exercises to improve your single, double, and triple tonguing.

Taught by 

Jean Ferrandis

In this course, Jean Ferrandis guides us through the famous Morceau De Concours by Gabriel Fauré. This short work is full of depth and beauty. Ferrandis offers his insights and practice strategies for a musical performance.

Taught by 

Chelsea Tanner

Chelsea Tanner walks us through the basics of intonation. We learn how to tell if something is out of tune, how to use a drone and tuner, and how to adjust your pitch.

Taught by 

Chelsea Tanner

In this course, Chelsea Tanner takes us through the building blocks of phrasing and musicality. Playing musically may seem like it is an innate talent, but it is a skill that can be learned and cultivated! This is a practical guide to phrasing to add to your toolbox.

Taught by 

Chelsea Tanner

In this course, Chelsea Tanner goes over a glossary of expressive markings, ornaments and phrase markings. She guides you through common markings you'll see in your repertoire and shows how to implement them on the flute.

Taught by 

Chelsea Tanner

Chelsea Tanner walks us through the extreme octaves of the flute. She talks about how the flute works and exactly what to adjust to get these notes out at soft and loud dynamics.

Taught by 

Sarah Shin

In this course, Sarah Shin walks through exercises for anyone just starting vibrato, or for anyone looking to refine and control vibrato. She offers a systematic process to implement vibrato into any phrase.

Taught by 

Tim Hagen

In this course, Tim Hagen takes you through Reinecke’s gorgeous Ballade for Flute and Piano. He offers musical ideas, historical context, and practice strategies for difficult technical passages. His insights make this piece exciting to work on from start to finish.

Taught by 

Christina Jennings

In this course, Christina Jennings walks us through how to create resonance in all the octaves of the flute and uses Summerland by William Grant Still as a vehicle to do this. This gorgeous piece creates a wonderful opportunity for us to put these concepts offered by Jennings into practice.

Taught by 

Chelsea Tanner

In this in-depth course, Head of Piano Ben Laude and Head of Flute Chelsea Tanner join forces to take you inside the sonorous world of tonality.

Taught by 

Christina Jennings

In this course, renowned soloist Christina Jennings guides us through a comprehensive look into Charles Griffes’ Poem for Flute and Piano.

Taught by 

Marina Piccinini

In this course, Marina Piccinini walks us through the beautiful Franck Sonata originally written for Violin and piano.

Taught by 

Jennifer Grim

In this lesson, Jennifer Grim provides a comprehensive overview of articulations, tongue strokes, and expressive markings.

Taught by 

Sharon Sparrow

Composed in 1934, this concerto stands as a tribute to the talents of Marcel Moyse. In this course, Sparrow describes how Ibert expertly blends simplicity with complexity in this concerto, presenting a formidable challenge for any flutist.

Taught by 

Rachel Brown

Telemann was a pioneer in creating the illusion of polyphony with a single voice. For this course, Brown explores each of his twelve fantasias, delves into the dances that inspired them, and performs exquisitely on her baroque flute.

Taught by 

Rachel Brown

Would Bach have enjoyed writing for a modern flute? Surely, he would. However, a survey of historical flutes reveals the beauty in their peculiarities. Brown compares three different flutes in terms of pitch and tone color.

Taught by 

Mark Sparks

This course is a thorough introduction to the concepts of resonance, timbre, and vibrato. Mark Sparks speaks at length about the technical theory behind each, and provides a wealth of repertoire examples to guide our application of these devices.

Taught by 

Mark Sparks

Ravel wrote his "symphonie chorégraphique" in 1912 drawing inspiration from the 2nd-century Greek novel. With this tensely beautiful flute excerpt, Mark Sparks discusses every aspect of flute performance technique and how we can use it to tell an ancient love story.

Taught by 

Rachel Brown

The contrast between the four movements, Rachel Brown tells us, is what makes it great. In this course, she speaks at length about the unique character of each movement and what we can learn from other repertoire of the time period to play this music authentically.

Taught by 

Mark Sparks

With rhythmic outer movements and an inner lyrical movement, Martinu's only flute Sonata was premiered by Lois Scheafer 1949 in New York. Mark Sparks explores each movement in detail, expanding upon technique tips, practice strategies, and musicianship skills.

Taught by 

Mark Sparks

Based on a poem by Stéphane Mallarmé, Prelude to the Afternoon of a Faun is a dreamy, beloved masterpiece in the flute repertoire. Mark Sparks discusses how to use technique and musicianship to bring it to life.

Taught by 

Marianne Gedigian

Marianne Gedigian walks us through an approach to excerpts discussing metronome practice, recording ourselves, our role in the orchestra, and why perfection is not the goal.

Taught by 

Marianne Gedigian

In this course, Marianne Gedigian and Chelsea Tanner discuss the fundamentals of flute playing, from how to hold the instrument to the intricacies of sound production and facility.

Taught by 

Marianne Gedigian

In this course, Marianne Gedigian guides us through Ravel’s brilliant flute solo from his Daphnis et Chloe Suite No. 2. Gedigian covers this solo in great detail while also helping us see the big-picture aspects of this work.

Taught by 

Marianne Gedigian

In this course, Marianne Gedigian guides us through her comprehensive approach to this famous solo. She gives us tools to improve finger connection, interpret Brahms’ expressive marks, and to phrase this solo to create a compelling performance.

Taught by 

Jasmine Choi

Warming up is the most important part of our daily practice routine. Jasmine Choi discusses each element of a solid warm-up, its purpose, and what to focus on for best results.

Taught by 

Jasmine Choi

Though Choi emphasizes that feeling comfortable during a performance is the priority, the benefits of memorization are tremendous. The ability to forgo sheet music allows us to exist deeper within the music and focus solely on communicating it brilliantly. In this course, Jasmine Choi shares a process for memorizing a piece.

Taught by 

Jasmine Choi

Dutilleux nearly disowned his Sonatine, but its distinct sonic universe has become a pivotal piece in the flute repertoire. In this course, Jasmine Choi invites us to practice it with her, sharing how to put it all together.

Taught by 

Jasmine Choi

Far from just a gimmick, circular breathing can be a crucial part of an advanced player's technique – opening the door for longer phrases and more facile music-making. Choi explains how to circular breathe from the very first step, all the way up to advanced repertoire.

Taught by 

Chelsea Tanner

In this course, Chelsea Tanner takes us through all 17 Daily Exercises of this legendary book by Paul Taffanel and Phillipe Gaubert. She guides us through exactly how we can use these exercises to improve our fundamentals.

Taught by 

Carol Wincenc

The sonata, crafted by Les Six composer Francis Poulenc, is simple at first glance but full of rich modal harmonies and alternating moods. Wincenc’s mentor, Jean-Pierre Rampal, elevated this piece to fame during his career, so she fills her course with one-of-a-kind insights and demonstrations.

Taught by 

Chelsea Tanner

Chelsea Tanner walks us through this beloved book by Marcel Moyse, De La Sonorité. She discusses tools in each exercise to change and improve sound production, consistency, and quality.

Taught by 

Amal Gochenour

In this course, Amal Gochenour takes us through the fundamentals of playing the piccolo. She talks about how to increase your dynamic range in difficult registers, how to practice the piccolo, and offers alternate fingerings for tricky notes.

Taught by 

Carol Wincenc

In this course, world-renowned soloist Carol Wincenc takes us through Syrinx, Debussy’s masterwork for solo flute. We learn about Wincenc’s iconic interpretation influenced by her teacher Marcel Moyse, the fascinating history of this piece, and the necessary fundamentals to perform this work.

Taught by 

Amy Porter

Porter has performed Mozart's first concerto for flute over twenty-two times – who better to discuss this impressive work? Mozart was only 22 when he wrote it, yet there are soaring melodies and rich contrasts that set it apart as one of the best in the repertoire.

Taught by 

Alexa Still

Alexa Still discusses the difficulties this unique two-movement sonata presents and offers solutions and exercises to work on to make this piece understandable and accessible.

Taught by 

Alberto Almarza

Alberto Almarza offers seven different strategies to practice technical facility as you practice repertoire. Using these methods, we can cultivate reliable and consistent technique.

Taught by 

Tim Hagen

Tim Hagen walks us through all three movements of Benjamin Godard’s Suite de Trios Morceaux. He offers practical tips, practice strategies, and a musical interpretation based on the composer's rhythmic games.

Taught by 

Alexa Still

How we hold the flute dictates so much of what we can do on our instrument. Alexa Still breaks down different ways to efficiently hold the flute to avoid pain and create mobility in the fingers.

Taught by 

As breathing is our most fundamental skill in playing the flute, Alexa Still teaches us about the anatomy of breathing. She walks us through how our lungs work and shows us exercises for how we can improve our lung capacity.

Taught by 

Alexa Still

Alexa Still guides us through this incredibly challenging work offering musical ideas and solutions for the endless difficult passages in this piece.

Taught by 

Alberto Almarza

Regardless of our current stage of development, we can make our practice time more efficient and enjoyable. In five thoughtful and detailed lessons, Alberto Almarza shares his thoughts on how to practice for real results. First, he discusses how to cultivate habits, not motivation, for more effective practice sessions. He goes on talk about how to organize a day’s practice, and shares the three phases of working on a piece of music.