Détaché in Haydn isn't just articulation. It's speech.
In this short segment, cellist Natalie Clein digs into Haydn's Cello Concerto No. 2 in D major, showing how the classical bow forms consonants on the string and brings out the human voice in his quick passages.
She also works in real time on a tricky G-sharp and on the D string clarity that the Concerto so often demands.
There's more where that came from...
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