Taught by renowned guitaristÂ
Julia Trintschuk
In this in-depth course, classical guitarist Julia Trintschuk guides you through the Grand Solo, Op. 14 by Fernando Sor, one of the most significant works in the classical guitar repertoire. Combining historical context and formal analysis with practical technique, Trintschuk offers insight into crafting effective fingerings for handling fast passages, using the full dynamic range of the guitar, and how to use colors to bring out the contrasting sections in this massive work.
Form and Historical Background
Trintschuk analyzes the sonata-allegro form of the Grand Solo, using historical context and listening excerpts from Sor’s other works to help guide your interpretation.
Introduction
Dive into the dramatic Introduction of the Grand Solo with a focus on dynamics, chord articulations, and orchestration.
Exposition
Explore the exciting Exposition, examining the primary and secondary themes, key relationships, and transitional material. Trintschuk offers tips for executing fast passages by using preparation and relaxation for both hands, as well as using different articulations to bring out the character of the music.
Development
Bring out the expressive drama of the development section, focusing on tension, modulation, and motivic transformation.
Recapitulation and Coda
Trintschuk looks at the return of the thematic material, highlighting the key differences in the recapitulation and how to deliver a convincing and satisfying conclusion.
Technical Challenges and Conclusion
Trintschuk reviews the technical demands of the Grand Solo and offers a warm-up exercise to help with difficult arpeggios.
Julia Trintschuk is an international award-winning classical guitarist based in Germany.
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