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tonebase Guitar Course

D'Angelo

Due Canzoni Lidie

Taught by renowned guitarist 

Thomas Viloteau

Join the esteemed guitarist Thomas Viloteau as he delves into the intricate and captivating world of Nuccio D'angelo's "Due Canzoni Lidie." This course offers a comprehensive exploration of this beautiful piece, breaking down each section to provide a clear and detailed understanding. Throughout the course, Viloteau provides invaluable tips on technique, interpretation, and performance practice, helping you to master "Due Canzoni Lidie" and bring out its full expressive potential.

  • checkmark icon
    Difficulty: 
    advanced
  • checkmark icon
    Duration: 
    1
     hours
     hour
All courses on tonebase include subtitles in English and Spanish

Course Syllabus

I. Tranquillo

The first movement of Nuccio D’Angelo's "Due Canzoni Lidie," titled "Tranquillo," is a serene and introspective piece that explores the tranquil and meditative aspects of the E-flat Lydian mode. Characterized by its calm and soothing melodies, this movement makes extensive use of harmonics, creating an ethereal soundscape that captivates the listener. The gentle, flowing lines and the delicate interplay of natural and artificial harmonics evoke a sense of peaceful contemplation, making it an excellent study in subtle dynamics and expressive phrasing.

II. Agitato

The second movement is marked by its rhythmic drive and dynamic contrasts, showcasing D’Angelo’s skill in creating tension and excitement through music. The intricate interplay of rapid passages and syncopated rhythms challenges the performer to maintain precision and clarity. "Agitato" demands a high level of technical proficiency and expressive power, offering a thrilling conclusion to the piece.

Click here to download the course workbook PDF and see the full syllabus →
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Thomas Viloteau
meet YOUR INSTRUCTOR

Thomas Viloteau

French-born guitarist Thomas Viloteau has won awards in numerous international competitions - including GFA, Segovia, and Tarrega - and now teaches at the Peabody Conservatory.

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Thomas Viloteau

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