For violin, as a child, ages 10-18 or something I went to what you call high school. And I had lessons with a competent teacher. It was not geared towards becoming a professional, it was more like in the German system of learning to make music. By random coincidence, I connected with Daniel Kurganov and took lessons with him. I like to have community. I’m really happy to still have that private instruction from Daniel, and what he does in terms of streams is just very interesting, if he does [streams] like “How I Practice” or I don’t know, arpeggios or etudes or something, that’s always very interesting. And apart from that, I also like the interviews to get a wider perspective from other musicians also. And sometimes there are ideas on how to think about the instrument, also more basic technical instructions on how to approach the left and the right hand. There’s lots of content and it’s growing rapidly, so sometimes it’s even difficult to look at everything that’s coming out. It’s a portal to look into the world of professional violin playing in this case, and also professional instruction. So the kind of instruction that we get to observe and even participate in, the intensives, [they are of] a quality that is really hard to come by in ordinary life. So it’s really a high level of professionalism. tonebase is the most comprehensive and also it has the best instructors, I mean James Ehnes and all these names, Vadim Repin…I find that this is a real exciting platform.