Hello, my name is Nick, and I'm from Manchester in England. And thank you for the invite to submit a recording of my experience with tonebass. I subscribed to tonebass, back in October 2020, I took the lifetime membership, which I'm so glad I did, because it's been so so valuable to me. And what I mean by that is, I took up the membership because I knew that although I've been playing classical guitar for a very long time, and I've taken my grade eight a couple of years ago, I find that things still need to be worked upon, such as technique, and tonebass has really helped in that aspect. Some good teachers who are giving some good advice, and Martin as well has suggested some materials, and been working on the Bible classical guitar technique. So this has been a great book, I've ordered this, because of the suggestion given on tonebass. And great to see teachers looking at technique and giving their advice and listening to how they approach it. I also love the split screen, that I can see the teacher on one side and then the score on the other side. And I can work on that I can slow down the the tempo of the recording, and then follow along as well. So I plug my laptop impacts my TV and I can see everything really huge. And I can also download and print soft material. So like the Calavera technique, outcomes 30 Day technique as well. And of course, Joseph Palmer's Juliana's up, and 20, right hand studies, all these things have download, and they've been really, really helpful to me. Also like the suggestions and the advice given by the teachers, and Martin was working on the material, Cassie 25th attitude. And he also was able to make his edits to the right hand fingering. And for me, it was just great to be able to print this off in color, and analyze and work on that. But that right hand technique as well, that's really, really helpful for me. And as I said, my technique was really needing working on the right hand, especially my a finger, because it's something that I've overlooked. And with trying to get independence on the a finger and also trying to get a good tone on the A finger as well, which is really difficult. And give that independence. I like the fact that teachers explain how they approach finger independence, how they have a approach and how they do in their own way, I'm able to look at all these ideas and build up a practice routine for myself. I like the resources, the resources are fantastic. And I also enjoy the live events. And I have at the moment I'm working on Sergio as 10 sketches and looking at that. And that's fantastic. Really, really helpful his way of composing, and doing these and developing these sketches. And I'm also at the moment working on the Joseph Parma, 120 Juliani studies, really just looking at and just working on each, each study and taking one or two a day, spending some time over that. And before moving on to the next one. So all in all tonebase for me is a really valuable piece of resource, a great platform, a great place to meet and see musicians from around the world who give their ideas. As a school teacher as well, I don't teach music, but I highly recommend them to my students who do play guitar, I give them the champion tonebase on this a lot. This is something to look at. It's a great resource. And there's so much to learn from it. And every time I go on to tonebase, there's never a time where I say I'm not learning anything new. So every time I go on to the, to the to the lessons or anything, any resource. I'm finding that I'm learning something every time so thank you so much to everybody at tonebass. Really appreciate it. I just look forward to so much more from you and really enjoys thank you so much, and all the very best to you. Thank you very much. Bye now.